Other than the information on this CD and the composer’s faculty page (here) information seems limited on this composer,. He earned a BM, Organ Performance, Brigham Young University, 2001, an MM, Music Composition, Brigham Young University, 2003 and a DM, Music Composition, Indiana University Jacobs School of Music, 2006. Currently he is associate professor of music at BYU where he teaches theory and composition as well as electronic music.
Thornock is that rare breed of percussionist (or is it keyboardist?), a carriloneur and he takes the opportunity to display those skills on this all percussion release, apparently the first recording of this composer’s music.
It is very difficult to assess a composer based solely on their percussion music and sometimes that genre can take on the insider feel of, say, band music or some more rarefied and sequestered niche of music. As popular as percussion music has become in the 20-21st century it seems sometimes to be an orphan genre. This is also, no doubt, due to the all-inclusive nature of the term “percussion” which leaves a huge list of potential instruments to consider. So an album of tympani music or bongo music or marimba music (conceivably even piano and harp can be included under the percussion rubric).might all be spoken of generically as percussion music. This recording uses a wide variety of instruments.
Having said that this disc appears to show a composer with a wide palette and knowledge of the medium and it is an opportunity to hear carillon music which is itself a relatively rare experience in recordings. His writing is accessible and, no doubt, well-tailored to the skills of the musicians.
There is nothing familiar here. All are new works written, presumably, in the last few years. It would be interesting to hear more of this composer’s output in the areas of chamber, orchestral and electronic music. But this little tease will have to do for now.
Matthew Coley, the percussionist, seems to be the real star here. He plays on all tracks and seems to be a highly skilled player. His website was the most useful to this reviewer as well. Along with him are the Iowa Percussion Group, the Iowa State University Percussion Ensemble and, as mentioned earlier, the composer on carillon on tracks 7-10 with Gerard Norris conducting.
This New Focus recording FCR 156 is beautifully recorded and I think that is no simple task given the variety of instruments involved.