This is a curious collection of flute and piano music. It is framed by two pieces from the late great Jonathan Harvey (1939-2012), one by Elliott Carter and a collection of world premiere recordings by composers far less familiar and markedly different in style.
The premieres are all by living composers (Josh Levine, Christopher Dietz, C.R. Kasprzsyk and Sam Pluta). Now these are all fine compositions but their style is so very different from the Harvey and Carter pieces that it is almost jarring to the listener. This living set of composers is represented by a far more conservative compositional ethic (please don’t read that as a negative) than the older, more modernist pieces which frame their efforts here.
Of course only time will tell the eventual place of these works in the annals of musical history but the fact here is that we have two towering works by Harvey, a tasty bit of one of Carter’s lesser known works and essentially unheard works from a gaggle of newcomers. The listener just has to be prepared to switch gears.
The performances are beautiful and loving throughout. The Harvey pieces truly stand out as the masterpieces they are as does the Carter. Curiously Carter (1908-2012) has been somewhat maligned since his passing for reasons that defy logic but I am glad that this late Carter piece was included.
This is a lovely recording and performance. The juxtaposition of the modernist pieces framing the neo-romantic pieces by the younger composers is striking but stick with it. The pleasures of this recording are in the loving and committed performances as well as the recording itself which is quite lucid.
Conor Nelson on flute and Thomas Rosenkranz, piano are new names to me but I will keep them in mind having heard what they have done here. The ear who made this recording so listenable was Ryan Miller, the recording engineer.