Increasingly it seems that new music performers take on a persona which includes a unique selection of repertoire and frequently a distinctive physical presence. Kathleen Supové is a fine example. Her distinctive physical appearance and attire becomes a metaphor for her very personal and intelligent choice of repertoire which sets her apart from her peers. In addition to unquestioned virtuosity and beautiful interpretive skills her persona takes on an adjectival quality which prompts this reviewer to ponder the “Supovian” experience.
I may live to regret that neologism but the present album is offered as exhibit one (of about 20 albums) attesting to the distinctive choices of music that characterize her work. This two disc album, The Debussy Effect, is a very modern homage (even sometimes with apologies) to the impressionist master. Twelve tracks on the two discs feature seven contemporary composers. Only three tracks are for solo piano. The rest involve electronic enhancements and or “soundtracks”.
Initially I had hoped to be able to say something useful (if not particularly insightful) to prospective listeners/buyers of this album about each of the pieces here but after several listens I can only reliably say that the material makes for a great and entertaining listening experience. It harbors complexities that cannot be fairly recounted in such a brief review. (And this reviewer has a limited knowledge of Debussy as well.)
Here are works by some of the finest of the New York “downtown” music traditions that reflect some amazing and very deep appreciations that will likely change the way you hear Debussy.
Here is the track list:
1. Storefront Diva: a dreamscape by Joan La Barbara
2. Dr. Gradus vs. Rev. Powell by Matt Marks
3. Layerings 3 by Eric Kenneth Malcolm Clark
4. What Remains of a Rembrandt by Randall Woolf
1-4. Shattered Apparitions of the Western Wind by Annie Gosfield
5-7. Cakewalking (Sorry Claude) by Daniel Felsenfeld
8. La plus que plus que lente by Jacob Cooper
All are engineered by the wonderful Sheldon Steiger for the New Focus recordings label.
So the take away here is as follows: If you are a Debussy fan you will want to hear this album. If you are a Kathleen Supové fan you will want to hear this album. It is the second reason the seems the most salient here. I expect to be listening to this many more times. Enjoy.