Alan Courtis’ “Buchla Guitar”, an Homage of Sorts


Firework Edition Records FER 1122

The late Donald Buchla (1937-2016) Invented many instruments from his keyboardless Model 100 (pictured here is a Buchla 200), the Marimba Lumina, but no guitar. So along comes one Alan Courtis and he creates what Buchla did not live to invent.

Courtis is an Argentine guitarist who was the founder of the group Reynols who collaborated in recordings with Pauline Oliveros. Oliveros was one of the composer/design consultants with whom Donald Buchla collaborated along with Ramon Sender and Morton Subotnick. So this album returns this busy, eclectic musician to his roots back to the days of the Tape Music Center.

Well, it surely doesn’t sound like a guitar for much of the time but the star here (or maybe co-star is more accurate) is the Buchla 200 which is the instrument through which the composer processes his guitar and which widens the range of what he can do with his instrument immeasurably. This album will remind listeners of the work of Morton Subotnick and perhaps early Pauline Oliveros.

There are four tracks, no titles, just absolute music. Courtis is clearly skilled and schooled in the operation of the Buchla 200, so much so that his guitar playing is rather eclipsed. This is likely by design. This is in many ways a tribute to Buchla and peaen to the heady days of radical invention that was the Tape Music Center (later moved to Mills College) and its luminaries

This is not easy listening but it it is a must for anyone interested in the various orbits which surround this historic and creative enclave. I don’t know if this album will appeal to many listeners but it is a huge effort and is, in effect, another brick in the wall as far as the history of electronic music on the west coast of the United States (and its dissemination to Argentina and points beyond)..

While this album came to me as a digital download (something which tests the limits of my technical skills) it does contain at least a little bit of liner notes. More would be nice but Courtis and Reynols seem more concerned with making interesting sounds and compositions and seem rather unconcerned with telling us how they got there except in the most general ways. Bravo Mr. Courtis.

Don Buchla in his last major appearance performing at Other Minds 20.
Don Buchla at a Buchla 100 at the Other Minds Festival 20 in 2015

Coming Up, Other Minds 19 at the SF Jazz Center


Official Other Minds logo

Official Other Minds logo (Photo credit: Wikipedia)

On February 28 and March 1 the SF Jazz Center will host Other Minds for the first time.  OM 19 is the latest incarnation of this annual festival which presents an amazing range of new music.

The Other Minds Festival, brainchild of filmmaker/producer Jim Newman and musician, composer and broadcaster Charles Amirkhanian, was first heard in 1993 and, except for the years 1994, 1998 and  2007, has been an annual event in San Francisco  gathering mostly new but  always innovative composers to share their inspirations and innovations with each other and with bay area audiences.  Being curious about those apparent gaps in this festival I sent a query to the Other Minds office and received a prompt reply from none other than Charles Amirkhanian.  He stated as follows:

Executive Director Charles Amirkhanian in his ...

Executive Director Charles Amirkhanian in his office with ASCAP award in background (Photo credit: Wikipedia)

“Hi Allan,
Here’s the story:
After our first festival in November 1993, we needed time to raise more funds to produce OM 2 and get back on the Yerba Buena Center’s schedule. So we postponed until March 1995, the next available spot in the Djerassi schedule. Our timing for the festival is determined by when we have access to empty rooms at DRAP, so we need to be there either in Feb/March or November.
In 1997, once again, we needed time to raise more funds and simply postponed to the next available Djerassi time. Same for OM 13.
In each case, the delay was about eight months (for a November event) or four months (for a March event), giving us a festival in succeeding concert seasons, but not “annual” events. (A concert season is Fall ’07 through Spring ’08, for example.)
Thus the mysterious gaps.
Charles”

This internationally known festival is not just a series of concerts.  The diverse selection of composers gathers first for an artistic residency at the Djerassi Resident Artist Program (DRAP in Mr. Amirkhanian’s note), a pastoral setting nestled between the Pacific coastline and the hills west of Palo Alto, where the invited composers live, work and share ideas for a week prior to the public concerts. The Djerassi Foundation for the Arts was founded by biochemist Carl Djerassi whose daughter, an artist, committed suicide in 1978.  The area is a sculpture park and the facility operates all year round with residencies for artists of all media.  Charles Amirkhanian is one of the former directors of this venerable artist colony and is now the executive and artistic director of Other Minds. The selection process for OM artists is based on the incredible range of interests of the Other Minds Operating Board and in consultation with their advisory board which are very open to suggestions from the general public.  Just e-mail them.  They actually read all their e-mails and respond. This along with New Music America, the ONCE festival, the Telluride Festival (also one of Amirkhanian’s efforts) are among the important music festivals which have yet to receive adequate treatment and exposition of their histories. This year’s OM 19 (which also looks forward with eager anticipation to a very promising gala OM 20) includes Mark Applebaum, John Bischoff, Donald Buchla, Joseph Byrd, Charles Celeste Hutchins, Myra Melford, Roscoe Mitchell, Wendy Reid and John Schott.  For the first time in the history of the festival all the composers will be from northern California.  The dates for the festival, which moves this year to the new SF Jazz Center, are Friday February 28 and Saturday March 1. One might think that limiting the selection of composers would be limiting in the variety of artistic efforts to be had but one would be quite wrong.  In fact it would not be difficult to argue that music by musicians from northern California have been unjustly neglected in favor of the more dominant musical cultures of New York City, Chicago and Los Angeles.  A quick look at the roster for OM 19 reveals a great deal of variety:

Mark Applebaum at TEDx Stanford

Mark Applebaum at TEDx Stanford (Photo credit: Tamer Shabani Photography)

The Chicago born Mark Applebaum is currently associate professor of composition and theory at Stanford University.  He counts Brian Ferneyhough, Joji Yuasa, Rand Steiger, Roger Reynolds and Philip Rhodes among his teachers.  He also performs as a jazz pianist. He appears to be the first composer at these concerts to have given a TED talk.  In this talk he speaks of being “bored with music”, at least with traditional music and how he used that boredom to break through to another level of creativity creating new instruments and elaborate scores.  He is an engaging speaker and his presentation will no doubt be fascinating.

John Bischoff (1949- )

John Bischoff (1949- )

John Bischoff studied at the California Institute of the Arts and Mills College.  His teachers include Robert Moran, James Tenney and Robert Ashley.  He is currently visiting professor and composer at Mills College. He is one of the pioneers of live computer performance and he is a frequent performer at the Garden of Memory concerts held annually on the summer solstice at Oakland’s beautiful Chapel of the Chimes. Mills College with its Center for Contemporary Music can be said to be the primary life blood of northern California composers.  Bischoff is part of a long line of composers who  have guided musical pedagogy in the Bay Area and have included Chris Brown, Luciano Berio, Darius Milhaud, Lou Harrison, Steve Reich, Terry Riley, Pauline Oliveros, Morton Subotnick, Ramon Sender, John Cage, Chris Brown, Maryann Amacher, Maggie Payne, Larry Polansky, Robert Ashley, and many others. Bischoff has released 16 albums and numerous publications.  He founded the League of Automatic Composers, the first computer network band and continues to be a driving force in the computer music scene. Don_Buchla_and_200e

Donald Buchla is one of the elder statesmen of new music in California.  His collaboration with Ramon Sender and Morton Subotnick produced one of the first modular synthesizers in 1963.  He continues to develop synthesizers with his Buchla and Associates corporation (founded in Berkeley in 1962) . He studied physics, physiology and music.  His importance in the field of electronic music and music synthesis cannot be underestimated.  His electronics have driven many classical, rock and jazz music.  He and his corporation continue to make new electronic instruments such as the marimba lumina and the piano bar and has made available again some of the classic analog electronics which first made his name familiar to musicians worldwide. I was able to find very little about his musical compositions but it is worth noting that his electronics will power the performances of several of the artists in this concert series in addition to his own.

Joe Byrd in 1968

Joe Byrd in 1968

Kentucky born Joseph Byrd is an electronic musician, composer and producer.  His album, “The American Metaphysical Circus” (1969) is legendary and considered a cult album which has been reissued on CD and can also be heard on You Tube.  His band, Joe Byrd and the Field Hippies never performed live but this work of 60s psychedelia has established itself as a landmark recording and a cult classic.  He also did an album of synthesized Christmas Carols in 1975. Byrd has also been a producer with estimable credits such as producer and arranger of Ry Cooder’s amazing ‘Jazz’ album from 1978.

I can’t imagine how his latest work sounds but I am looking forward to it.

Charles Céleste Hutchins at SOUNDkitchen

Charles Céleste Hutchins at SOUNDkitchen (Photo credit: hellocatfood)

Charles Celeste Hutchins is, as far as I can tell, the first instance in which an Other Minds operating board member has been featured as a composer in this series.  The advisory board consists largely of composers who have already been featured on OM concerts.  Until this booking I was not aware of this man’s work.

Hutchins worked in the dot com business for a time and is now working on his musical interests.  His work involves the digital music program called Supercollider which he uses to manipulate sounds.  Discogs lists an MP3 compilation of some of his work in this area.

Melford in Helsinki, 1993

Melford in Helsinki, 1993

Myra Melford is an internationally known jazz pianist and composer with some 17 albums and some 20 years of playing.  Melford is originally from Illinois.

She has played with AACM musicians like Leroy Jenkins, Joseph Jarman and other musicians including Marty Ehrlich, Henry Threadgill, Mark Dresser, OM alumni Han Benink and Tyshawn Sorey.  Currently she teaches at the University of California Berkeley.

saxophonist Roscoe Mitchell at the Pomigliano ...

saxophonist Roscoe Mitchell at the Pomigliano Jazz Festival (Photo credit: Wikipedia)

Roscoe Mitchell is one of the founding members of the venerable AACM (American Association of Creative Musicians) which redefined both jazz and contemporary classical music from its founding in 1965 to the present.  Other notable members include Anthony Braxton, Lester Bowie, Malachi Favors, George Lewis and Lester Bowie among others.  Mitchell is currently professor of music at Mills College where he holds the Darius Milhaud chair.  He has collaborated with Frederic Rzewski, George Lewis, Anthony Braxton, Joseph Jarman, Malachi Favors, Muhal Richard Abrams, Albert Ayler, Henry Threadgill, Thomas Buckner and many others.

Mitchell is one of the acknowledged living masters of American music and he plays and teaches widely.  In 2012 her performed at the “All Tomorrow’s Parties” festival in Minehead, England.  Any performance by this musician is an event.

Wendy Reid is a new name for me.  She is a composer who works with nature sounds.  I did buy her CD entitled “Tree Music” which features 5 of her Tree Pieces with various combinations of violin, percussion, piano, mandolin, oboe and Don Buchla on “thunder” interacting with nature sounds.  For her OM performance she will be sharing the stage with a parrot.  Yes, it does sound like a Monty Python sketch, but this promises to be interesting if not revelatory.  Her work is clearly concerned with the sounds of nature and is at least distantly related to the work of Pauline Oliveros whose album ‘Troglodyte’s Delight’ involves musicians responding to the sounds of water in a limestone cave.

John Schott is another name with which I am not familiar.  But lack of familiarity spells adventure in this series of concerts.  A quick internet search reveals that he is a Berkeley based composer, guitar player and banjo player.  His web site is a blog which reveals his interest in a wide range of musical styles and literary interests.  He lists 8 CDs which feature his work.  He also lists his “compositions in the classical grain”.  It’s anyone’s guess as to what he will present at Other Minds but if the preceding artists are any indication it will be unique and interesting.

All in all this promises to be a very exciting event with the ‘revelatory’ music which Other Minds uses as a tag line in their publicity materials. I won’t miss it and neither should you.

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