Definitely an unusual beginning to this sonorous album of chamber music from the happy, creative place called Iceland. Some of these tracks are electroacoustic combining some sort of electronic sound producing and/or manipulating components along with the live musical performance.
Nothing familiar here but a lot worth listening to. This is a collection of recent chamber music from what is apparently some of the finest composers working in Iceland today. And as a Sono Luminus product it is a sound object of the highest order. It is a beautifully recorded set of pieces that goes a long way to demonstrate the high quality and creativity of both the compositional and performance to be found in this distant corner of the world.
There are six works represented here. Three are exclusively electronic, one for acoustic instruments with electronics and two are for acoustic instruments alone. All seem to share the eclecticism of modern composers and, to this writer’s ear, a rather distinct style which seems to come out of the Nordic regions these days.
Iceland has a long and proud musical history and has amassed a large creative classical repertoire in (at least) the 20th and 21st centuries. Perhaps one can hear the “sounds of the north” in these works or perhaps that is simply the analogous associations of this listener’s mind but there does seem to be some affinity between the lovely cover photograph of melting ice and some of the sounds herein.
At any rate this is fascinating music beautifully performed by Nordic Affect, a more or less fixed ensemble of violin, viola, cello, and harpsichord with occasional electronic supplementation. Performers include Halla Steinun Stefásdóttir, Violin; Guòrún Hrund Haróardóttir, Viola; Hanna Loftsdóttir, Cello; Guòrún Óskarsdóttir, Harpsichord with Nava Dunkelman on drum in the last track.
All in all this is one fine disc of chamber music.