So many associations here. Jaime Boddorf‘s lovely photography complements the sparse evocations of the music but this writer immediately flashed on the old Pat Metheny album, “American Garage”.
This is most definitely not a Pat Metheny album but the somewhat spare sound world of Scott Wollschleger is reflected (metaphorically of course) in the cover photo and the others on the inside. In fact the resemblance stops with the visuals. And don’t jump to conclusions about the name, “Bearthoven”. It’s not Beethoven either.
So what is American Dream and who is “Bearthoven”?
Well, a look at their website suggests we have a classical ensemble spiritually patterned in a way like a prog rock design school dalliance. Think Talking Heads. For the record, they are (left to right): Matt Evans , percussion; Karl Larson , piano; and Pat Swoboda , bass.
Well, no, don’t think about Talking Heads or Pat Metheny. At least for a minute. And here’s why.
This is Scott Wollschleger (1980- ), originally from Erie, Pennsylvania, now resides in New York. The fact that he studied at the Manhattan School with Nils Vigeland suggests an educational provenance which can be traced most directly to Morton Feldman. But this is not a case of derivation as much as it is of evolution and incorporation of styles inherited from his teachers and his experiences upon which he attempts to improve for better or worse. Isn’t that the basic way an artist works?
Whether such musings hold any water will wait the test of time while we consider the actual music here. This reviewer encountered this letter laden composer’s work here. This previous album, Soft Aberration which was a wider ranging sort of snapshot of the composer’s work made a similar impression. His use of fragments is seemingly idiosyncratic. I can’t figure out exactly what he is doing but that is secondary to the fact that I like what he is doing. And a quick look at the track titles on American Garage and then reading Wollshleger’s commentary one sees some philosophical/metaphorical confluences.
His intriguing and evolving compositional style draws the listener in. Like the Soft Aberration Album (in art design and musical content) this album relies heavily on metaphor. So it is with the impressions penned by the musicians involved which are included in . And it is oh so consistent with the metaphorical tone of the photos as well. There is something amazingly integrated here.
Going into details about these pieces is both outside my expertise and certainly above my pay grade but I can tell you these works touched me on an emotional level and, like the best in art, will continue to speak to those who want to hear. This is highly evocative music which, if you listen patiently, will gently surprise you.