This is not, strictly speaking, an autobiography. It is perhaps more in the style of a memoir. It traces the career and life of a woman whose voice drove much of the avant garde from the 1950’s to the 1980’s. It is told with a sober tone as the artist looks back on the highs and lows of life and career well spent. She tactfully shares just enough of her personal life and relationships to provide a context for her tales.
Anyone with an interest in new music during those years had to encounter Beardslee’s carefully cultivated soprano voice. Along with names like Phyllis Bryn-Julson, Cathy Berberian, and Jan De Gaetani, hers was a very familiar and welcome voice which led listeners (including this writer) reliably and frequently definitively through the plurality of styles that comprise the 20th Century. Of course she was trained in and also sang the so called “classics” meaning Mozart, Beethoven, Schubert, Schumann etc. but she will likely be best known for her extraordinary service to new music.
Beardslee’s lengthy and sometimes rambling tome is a very personal look at a long and productive career. She recounts teachers, other singers, composers, conductors, accompanists, and husbands over the span of a rich and interesting career. The rambling quality of her prose serves only to cast an even more personal light on these accounts of her life and artistry. Never is there a dull moment and this book will delight singers, composers, historians, and just plain listeners.
In the end this was a very satisfying read and the intelligent decision to include a discography as well as a list of Ms. Beardslee’s world and US premieres makes this book a useful document for further research into her career and the music which drove it.