This is another of those releases that is functionally a business card if you will. By that I mean that I’m finding a fair amount of solo instrumental discs (some with electronics, like this one, some not) in which the artist demonstrates their skill with their instrument but, more importantly, their familiarity and facility with the segment of the repertoire they embrace. Actually this is the second such album from this artist, the previous (yet unheard by this listener) having been released in 2012.
Mariel Roberts is one of those New York based musicians whose milieu puts her in contact with the cutting edge (at least in New York) of modern composition. Roberts has appeared as a soloist and chamber musician across four continents, most notably as a member of the Mivos Quartet, Wet Ink Ensemble, International Contemporary Ensemble (ICE), Bang on a Can All Stars, and Ensemble Signal. Her skills and her talent seem boundless.
Here she features four rather large works for cello, solo, with piano, and/or with electronics. The composers featured include: George Lewis, Eric Wubbels, David Brynjar Franzson, and a collaborative work she wrote with Cenk Ergun. Not the usual suspects but a panoply of interesting and creative composers.
Rather than attempt any analysis of the works presented here let me just say that all require a high level of virtuosity. An essential aspect of this virtuosity is whatever coordination is required of the soloist interacting with electronics. The lack of detailed liner notes make it difficult to know the nature of this interaction but one can certainly enjoy the resulting performance even without those details.
This is NOT easy listening by any means but it is a tasty sampling of some truly creative music for the right ears. Multiple listenings will be needed but the listener will be rewarded for their effort.